Considering the Italian project, March 2019

Considering the Italian project.

It will again imply the slowest way to draw. But also the quietest. Large sheets. Black ink. Big frames. A little outside of Time. Punctual delivery but alternative. Also speaking the vehicle. Almost a glass master car, you know, the one with big pieces of glass stacked in the open and on both sides. Slightly tilted. Up the twisted mountain road to the family at Albergo Briol. In cuttable mist wealthy Norwegian and his dog in the middle of Piazza San Marco. Parking in Mestre though. Swedish collector in Stockholm just across the bookstore on Södermalm where they for more than a year kept the big monograph on Christer Strömholm at the very front in the window. Or American of Georgian descent in St. Tropez. Always lunch afterwards.